Où es-tu, Narcisse Noir?

Acrylics on linen canvas
Size: 200 cm (w) x 140 cm (h) (79″ x 55″)
Year of production: 2022
Artist: Jitske Schols
Signed
Frame: no frame
Worldwide shipping
Additional (insured) art shipping costs will be charged upon checkout. Free pickup at atelier of artist in Amsterdam.

NOTE: This work will be part of a museum exhibition between Sept ’22 and Jan ’23 and is therefore not available for the time being. Contact me for information about purchasing options.

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Party at Ermenonville

Acrylics on linen canvas
Size: 200 cm (w) x 140 cm (h) (79″ x 55″)
Year of production: 2022
Artist: Jitske Schols
Signed
Worldwide shipping

SOLD

Party at Ermenonville

Acrylics on linen canvas
Size: 200 cm (w) x 140 cm (h) (79″ x 55″)
Year of production: 2022
Artist: Jitske Schols
Signed
Frame: no frame
Worldwide shipping
Additional (insured) art shipping costs will be charged upon checkout. Free pickup at atelier of artist in Amsterdam.

SOLD

Principessa and the artists

Name:
Principessa and the artists
Series:
Never no
Technique:
Acrylics on linen canvas
Size:
70 cm (w) x 100 cm (h) (27,5″ x 40″)
Year of production:
2022
Artist:
Jitske Schols
STATUS:
AVAILABLE
Signed:
yes
Frame:
no frame
Shipping:
Worldwide. Additional art shipping costs will be charged DEPENDING ON LOCATION. Free pickup at atelier of artist in Amsterdam.
(!) IMPORTANT:
This painting will be part of the exhibition ‘MADAMADAM’ in Museum Harderwijk from September ’22 to medio January ’23. Therefore the painting is ONLY available IF THE MUSEUM CAN BORROW THE ARTWORK DURING THIS period.

SOLD

Rowing him

‘Rowing him’
Never no

Acrylics on linen canvas
Size painting: 100 cm (w) x 90 cm (h)

Artist: Jitske Schols
Year of production: 2022

Signed
Additional art shipping costs will be charged upon checkout. Free pickup at atelier of artist in Amsterdam.

From their arrival in Paris in 1922, the Crosbys led the life of rich expatriates. They were attracted to the bohemian lifestyle of the artists gathering in Montparnasse. They settled in an apartment at 12, Quai d’Orléans on Île St-Louis, and Polly donned her red bathing suit and rowed Harry down the river to the Place de la Concorde, where he walked the last few blocks to his office at the bank. Harry wore his dark business suit, formal hat, and carried his umbrella and briefcase. Caresse rowed home alone, and in her swim suit her generously endowed chest drew whistles, jeers, and waves from workmen. She later wrote that she thought the exercise was good for her breasts, and she enjoyed the attention.

‘Never no’ was the motto of Caresse Crosby (born Mary Phelps Jacob; April 20, 1892 – January 24, 1970) and is the title of a series of paintings inspired by her life. She was the inventor of the modern bra, but somehow that was only a minor detail in her extravagant life. She was a notorious figure in 1920s Paris, embracing the bohemian life with indulgences like booze, opium and wild parties. She was the patron to the literary Lost Generation, moved in the highest artistic circles (Dali, Picasso), owned a castle, but unfortunately her story has been largely forgotten. More of this series can be read here.